Music: Your Favorite Beatles Album

Which is your favorite Beatles album? Everybody in the world has heard of (and heard) the Beatles, whether you like them or not. And they came up with such melodious songs and “hooks”, that almost everybody loved them – from grandparents down to toddlers. That of course, was part of the problem. Rock purists often felt that the Beatles weren’t “rebellious” enough, and that they coasted along (at least initially), content to be popular icons, not taking risks.

Nothing could be further from the truth, which was that the Beatles were ground-breaking pioneering artists in every sense of the term. Even their early “boy band” albums, where four kids are staring out at you from the album sleeve, even those albums – these guys were taking chances to come up with music that was different. They were putting it on the line. There was rebellion aplenty – enough to keep young malcontents such as me interested.

Apart from the melodies and lyrics (which were uniformly great), listen to the sound on these albums. It is enormous. They are a four piece band that sounds like a four hundred piece band. And even back then, in the early 1960s, when they had teenage girls going berserk over them, they sounded different from everybody else. For one thing, they invented a large part of what we call rock ‘n’ roll music today. They did not play the blues or soul or a mixture of the two (like their near-contemporaries the Rolling Stones and the Who were playing at the time). They played rock ‘n’ roll – it was a new art form, because these guys were inventing it. And they were making up the rules of the game as they went along. They sounded fresh and unique, even in the very beginning. Certainly, they had their own set of heroes who influenced them – Chuck Berry, Little Richard, Carl Perkins, Elmore James. But they didn’t make any attempt to sound like these guys. They always sounded just like…well…themselves.

By 1965 of course, they were heavily influenced by another pioneer – Bob Dylan. Their albums started sounding far more mature, dealing with sex, love, drugs and politics in a whole new way. But just as Bob Dylan influenced them, they influenced Bob Dylan, who had initially started as a folk singer. By 1965, Dylan plugged in his electric guitar and a whole new genre of music was born – folk-rock. But I digress.

The Beatles were very different from the Stones and the Who. Initially, the Stones tried very hard to sound like their blues idols - Muddy Waters, Howlin’ Wolf, etc., with some degree of success. The early Who tried to sound like the Godfather of Soul himself– James Brown, and failed miserably. Instead, they sounded like what James Brown would have sounded like - if he had been born white, English and hopped up on amphetamines. The Who looked and sounded like a bunch of anarchists – at least initially. A bunch of menacing looking fellows, not guys you would encourage your teenage son or daughter to hang out with. But -it was all fascinating stuff anyway. Of course, both the Stones and the Who found their own distinctive voices by the mid 1960s, and forged what we call “rock” music today. Not heavy metal, but rock (I hate it when people confuse the two).

But the Beatles sounded unique, right from the very beginning. They are not my favorite band– the Who is, and will always remain so. But I still respect and love the Beatles enormously. They never rested on their laurels. They always pushed the boundaries of whatever they were doing. From late 1964 onwards, every album sounded different from its predecessor. No two albums sounded the same. They were taking chances. With every album, they were defining and redefining the boundaries of popular music, pushing the envelope. And every time, they took their audience with them. It was a leap of faith that millions of people around the world were willing to make. They created the notion that popular music could be much more than disposable noise. They proved that popular music could be high art and at the same time, easily accessible and understood.

So which is your favorite Beatles album? I am sure you must have one. For me personally, it is a toss-up between three albums – “Revolver” (released in August 1966), “White Album” (released in November 1968 after their return from Rishikesh , India ) and “ Abbey Road ” (their last album in the studio, released in September 1969).

“Revolver” is something else entirely. It is the first “drug” influenced album. You knew these guys were going where nobody else had gone before with the music. It was that fresh, that exciting, that exhilarating. Even if “Revolver” came out today, it would be an artistic breakthrough. It sounds new and timeless at the same time. Lennon’s songs like “Tomorrow Never Knows” are scary and he is taking you down a road where nobody (not even himself) has been down before. You know the ride is going to be very exciting, but unpredictable. McCartney’s songs exhibit a new level of maturity – songs like “Eleanor Rigby” and “For No One”. And you know that George Harrison is beginning to challenge the Lennon-McCartney songwriting combination. He is beginning to come into his own as a songwriter and a guitar player on songs like “Taxman” and “I Want to Tell You”.

The double LP “White Album” came out in 1968 and was the beginning of the end. It is a Beatles album in name, but in reality, it is three guys making their own solo albums using the rest of the members as their back-up band. They have different, incompatible personalities by this point. McCartney is still consumed by being at the top of the charts, and remains a supremely gifted songwriter and musician with a genius for knowing what will sell - a true music professional. Lennon by this point wants to be an artist – he wants to be avant-garde. Harrison is resentful that his songs are not being allotted space on Beatles albums, because of the domination by the other two. He is also getting impatient and more and more confident in his own solo abilities. And Ringo? Well, Ringo is just happy that the Beatles are still together. In terms of its musical vision and diversity, no album ever made comes close to “White Album”. Every single musical genre of the 20th century (and earlier) is present on that album – rock and its various derivatives – rock ‘n’ roll, folk rock, blues, heavy metal, art rock, psychedelia, ballads – even vaudeville. It is an encyclopedia of modern day music, and is awesome in its scope and ambition.

Pretty much every song on that album sounds like it has been made (and played) by a different band. It is impossible to categorize this album – it is beyond definition. How many albums in the history of music can you say that about? No other band in the history of the world could have made this album. Once again, the Beatles were redefining the very concept of popular music, including what constituted the word “popular”. And once again, the audience took their lead and followed them down that road. The Beatles’ confidence in their own abilities was supreme. Their audience’s faith in them was nothing short of miraculous – and touching.

“ Abbey Road ” was the last album the Beatles made in the studio (though “Let It Be” was the last album they ever released). By this point, it was pretty evident that these guys were not going to last much longer as a band. Both the Stones and the Who had also matured, and were snapping at the Beatles heels – in terms of musical and artistic ability. But “ Abbey Road ” still has its moments where the Beatles leave every single band in the world behind – from the shimmering harmonies of Lennon’s “Because” to the entire suite of McCartney’s songs on Side B of the album, which pretty much invented glam-rock and paved the way for David Bowie, Elton John and Queen later. And George’s guitar playing on Side B of that album - I could write a book on it, and it still would not do justice to his guitar-playing prowess. The man grew in leaps and bounds between 1966 and 1970. By 1970, he (rightly) considered himself the equal of Lennon and McCartney – as a songwriter and a musician.

“ Abbey Road ” was also the first rock album I heard when I was fourteen years old. I remember how intriguing and different it sounded. Unlike much of the disco stuff that was floating around at the time, it sounded like it had real value, real heart. It meant something. It sounded like it was being made by people who cared deeply about what they were doing. It engaged the listener’s heart and mind. It sounded like it could sustain the listener for a long time to come. I still dust that album off now and again and listen to it, more than twenty five years later, to remind me how and when I got introduced to great modern music. It stands up to the test of time.

And that’s all she wrote. August 20th, 1969 was the last time that all four Beatles were in the studio together, for the recording of “I Want You (She’s So Heavy)”. More than anybody else, they changed the world. The whole thing was a grand, audacious experiment that failed. But they changed the world anyway, and it was worth the effort. When John Lennon said in 1962 that the Beatles would be bigger than Elvis, he was right. When he bragged in 1966 that the Beatles were bigger than Jesus, he was right. In 1970, when the whole thing collapsed like a house of cards, he said “We came out of the fuckin’ sticks to take over the world”. He was only telling the truth.

Thank you, John, Paul, George and Ringo, for the music that has always sustained us, and that even today, after all these years, still touches and enriches our lives in so many ways.

I will always love the Who, the Red Hot Chili Peppers, the Clash, Roy Orbison, Chrissie Hynde and many others. But - which is your favorite Beatles album??